'At Miyazaki Sabou I see it as my function to make sure that the young aspiring tea producers that come to learn tea manufacturing with us can actively learn it in a free and unconstrained environment. This should help them to discover their own strengths and develop an original style.'
Akira Miyazaki on https://www.the-tea-crane.com/manufacturers/akira-miyazaki/
The teafarm of Akira Miyazaki is quite old, from 1930, but the key date is 1983 when a friend of the family became seriously ill and died because of pesticides. As they realised that they too used them (like everybody at that moment in time) and that their tea contained traces of it, they decided to stop the use and also ban chemical fertilizers. This is a decision not to be underestimated, as it takes a long time before a tea garden remembers its true identity and gets rid of all the poison that has been added to it, and in the beginning bad harvests can make life miserable for the farmer. But when the teagardens are healed the job gets easier again and the garden and its environment starts regulating itself, and most of all, the tea gets better and better.
There has recently been some criticism on the price of Miyazaki Sabou teas (they also make some of the best kamairicha from Japan). I think that this is increase is logical and has a positive effect on the Japanese, and even the global tea industry. More money means more investments, a better income for the farmer, more place for experiments and usually better tea. There is also a curious side effect when this happens, as it attracts another kind of customer, and a kind that likes to talk about the excellence of the tea, of which the high price level must be an indicator. This also shows to other farmers that it can be done, and that you can grow and let your customer pay for it, leading to easier access to money from banks or investors. Sometimes there comes a moment when a tea is getting so expensive that one starts paying as much for the reputation and the name as for the intrinsic quality (we are not there yet with Wakoucha), but this is also always the moment where a growing circle around the stars starts creating better and better tea's who 'have not yet made it to the top' but that make the experience of looking for them quite exciting. If you have a problem with the more expensive prices of these teas, follow the students. In this way you support them and you will drink some wonderful new teas.
This picture comes from a beautiful article on the web that tells a lot more about Akira Miyazaki: https://artsandculture.google.com/asset/miyazaki-sabo/iQEu_Az4AYI27Q
Gokase Black Native Organic Wakocha, Miyazaki Sabou, 2018, The Tea Crane:
Harvested spring 2018. 32.4 euro for 100 gram (excl import taxes). Made by Akira Miyazaki with material from a garden in Gokase, no modern cultivar but a field blend (see here).
August 9th, 2019, late afternoon, rainy and hot, a leaf day. 3 gram, 2 mins, 150ml, 98°C. Dark leaves, heavily fragmented, with a beautiful smell. The wet leaves deliver a complex and very full aroma with touches of fruit and honey. The infusion is amber coloured. It has a beautiful and complex aroma, very yummy, very sweet and fruity but with some spices added. The tast is soft and smooth, with a touch of peat like a whiskey, a lovely roast. It has a nice little touch of astringency and a very long complex finish. This is a truly beautiful tea with a wide range of taste elements that make it a pleasure to sip and enjoy. One of the best I had until now from The Tea Crane. Lots of body. A second brew was also delivious, soft and sweet and still with a lot of character.
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Out of curiosity I added a bit of milk to another brew of this tea. This is almost criminal behaviour, but my reward was a hedonistically yummy drink... if somebody can bottle this taste in a milk product he is a rich man.
There still is some stock at The Tea Crane: https://www.the-tea-crane.com/product/gokase-s-black-native-organic-wa-kocha-2018/
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